Iron & Wine
Iron & Wine - Archive Series Volume No.5 Tallahassee Recordings (Indies Coloured Vinyl) (Sub Pop Records)
£21.49RELEASED: 14th May 2021
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UK Postage Under 2Kg: Royal Mail 2nd Class
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|VINYL & CD WEIGHT UP TO & INCLUDING||UK|
|250g - Approx 2 x 7" Singles or 1 x CD||£2.49|
|500g - Approx 1 x LP, 3 x 7" singles or 2 x CDs||£3.85|
|750g - Approx 1-2 x LPs or 3 x CDs||£3.85|
|1Kg - Approx 2-3 x LPs or 4 x CDs||£3.85|
|1.5Kg - Approx 3-4 x LPs||£4.99|
|1.75Kg - Approx 4-5 x LPs||£4.99|
|2Kg - Approx 5-6 x LPs||£4.99|
|2.5Kg - Approx 6-7 x LPs||£9.99|
|3Kg - Approx 7-8 x LPs||£9.99|
|3.5Kg - Approx 8-9 x LPs||£9.99|
|4.0Kg -Approx 9-10 x LPs||£9.99|
|4.5kg -Approx10-12 x LPs||£9.99|
|5.0Kg - Approx 12-14 x LPs||£9.99|
|5.5Kg - Approx 14-16 x LPs||£9.99|
|6 Kg - Approx 16-18 x LPs||£9.99|
ESTIMATED DELIVERY TIMES
UK and Northern Ireland: 2-4 Working Days
Please note that these times are approximate, and postage can sometimes take longer, depending on factors beyond our control (Covid 19, severe weather conditions, local delivery problems and postal strikes for example). If you have not received your parcel within 30 days of your order confirmation email then please contact us by email and we will refund or replace the order as required.
Format: Indies 'Loser Edition' Yellow Splatter Vinyl LP
Cat No: SP1404X
‘Archive Series Volume no. 5: Tallahassee Recordings’ is the lost-in-time debut album from Iron & Wine. A collection of songs recorded three years prior to his official Sub Pop debut, ‘The Creek Drank the Cradle’ (2002). A period before the concept of Iron & Wine existed and principal songwriter Sam Beam was studying at Florida State University with the intent of pursuing a career in film.
‘Archive Series Volume no. 5’ documents the very first steps on a journey that would lead to a career as one of America’s most original and distinctive singer-songwriters. ‘The Creek Drank the Cradle’ arrived like a thief in the night with its lo-fi, hushed vocals and intimate nature, while almost inversely Tallahassee comes with a strange sense of confidence. Perhaps an almost youthful discretion that likely comes from being too young to know better and too naïve to give a shit.
The album was recorded over the course of 1998-1999 when Beam and future bandmate EJ Holowicki moved into a house together. Beam had not been performing publicly however, he was known for playing an original song or two in the early morning glow of a long night. Holowicki - also in the film program and who would go onto a career as a sound designer at Skywalker Sound - had a mobile recording device and after some prodding convinced his friend to record these latenight meditations.
Together they would record close to twenty-four songs, ideas and sketches, with EJ on bass and Sam on vocals, guitar, harmonica and drums. The recordings - all captured in the house where they lived - have a ‘live in the room’ feel akin to say Neil Young’s ‘Harvest’ or Nick Drake’s ‘Five Leaves Left’, rather than the homespun lo-fi 4-track home recording experiment taking place at the time.
These recordings, minus one track, have never been made available and were instead left preserved on a hard drive for the last twenty years. The one track that floated out there, called ‘In Your Own Time’ was shared without a title to childhood friend Ben Bridwell (Band of Horses) at some point. The song became known as the ‘Fuck Like A Dog’ song and Ben shared it with more than a few folks during the golden era of mix CDs. Two of those folks were Jonathan Poneman from Sub Pop and journalist Mike McGonigal, who included it on his best songs of 2001 mix CD, passed out to friends and acquaintances. And for many that is where the Iron & Wine story begins, until now.
1. Why Hate the Winter
2. This Solemn Day
3. Loaning Me Secrets
4. John’s Glass Eye
5. Calm on the Valley
6. Ex-Lover Lucy Jones
8. Show Him the Ground
9. Straight and Tall
10. Cold Town